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Right At Fourteen

from Right At Fourteen by Rachel Efron

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lyrics

The moon illumes the drifts of blackened snow
You pull us over at the bend
It's clear from here, the seasons come and go
But this December doesn't end

Long as your headlights on the quiet sea
Hard as the girl that you're required to be

Sara, we're miles out and hours past our curfew
I watch you brace yourself against the day
Ten years before you'll know that you were right at fourteen
Sara, just tell the truth and maybe it will go away

I know the start, I know the awful end
I've figured everything but when
If words alone could turn this car back home
Would you accept your life again

So sense at all of what you're asked to do
Closer to me if ever further from you

Sara, we're miles out and hours past our curfew
I watch you brace yourself against the day
Ten years before you'll know that you were right at fourteen
Sara, just tell the truth and maybe it will go away

Say it now while we still have some kindness
Why and how before we lose ourselves and hurt our own
Clear and slow into the open darkness
Long ago while we're still young
While it still hurts
Before it's fixed and over

Can't know how to protect yourself at only fourteen
Sara, just tell the truth and maybe it will go away
Tell the truth and maybe it will go away
Tel the truth and maybe it will go away
Tell me the truth and maybe it will go away

Rachel's new single, "Right At Fourteen." Basics produced by Jon Evans, vocals produced by Raz Kennedy. Featuring Jon Evans on bass and guitars and Matthias Bossi on drums. Mixed by Adam Munoz at Fantasy Studios and mastered by Ken Lee.

credits

from Right At Fourteen, released September 26, 2014
Song by Rachel Efron. Basics produced by Jon Evans. Vocals produced by Raz Kennedy. Featuring Jon Evans on bass and guitars and Matthias Bossi on drums. Mixed by Adam Munoz at Fantasy Studios. Mastered by Ken Lee.

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Rachel Efron Oakland, California

Oakland-based singer/songwriter Rachel Efron writes edgy but deeply felt piano driven alt-pop, nuanced by a forever love for improvised jazz and impressionistic classical music. She takes her influence from The Beatles and Tom Waits, Ben Folds and Feist, alongside the melodic sensibilities of Grieg and Chopin, and the chord voicings of Bill Evans and Brad Mehldau. ... more

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